Name : Kyle Smith / Alias : New York Post
Scherfig, who showed such subtlety in "An Education," this time proves embarrassingly vulgar, giving the film the unfortunate aura of an angry leaflet being handed out on a street corner by a wild-eyed protester.

Name : Tomas Hachard / Alias : NPR
It's all quite superficial, but never less than gripping, and is aided by an ending that at least doesn't compromise too much-the movie finishes with a smirk more than a smile.

Name : Inkoo Kang / Alias : Village Voice
Scherfig's stagings of these suspenseful set pieces are masterful, but the rest of the thriller is a fairly predictable manifesto against Britain's de facto oligarchy.

Name : Peter Debruge / Alias : Variety
Brits might object to such an enraging portrayal, which veers between salacious and cynical, though Scherfig's unique perspective is just one more reason she was such a smart choice to handle this material.

Name : Graham Fuller / Alias : New York Daily News
[An] engaging but malignant look at male privilege run amok.

Name : Cath Clarke / Alias : Time Out
A darkly funny, colossally unflattering send-up of The Bullingdon Club.

Name : Mike D'Angelo / Alias : AV Club
An alleged cautionary tale that revels in bad behavior for nearly two hours before finally offering up a stern "tsk, tsk, tsk."

Name : David Rooney / Alias : Hollywood Reporter
While the dark drama is never dull, its portrait of upper-crust entitlement run amok is seldom surprising either.

Name : Peter Howell / Alias : Toronto Star
The Riot Club comes with the dubious ambition of instructing us as to the evil ways of spoiled British toffs, as if that were needed.

Name : Chris Nashawaty / Alias : Entertainment Weekly
For a movie about a bunch of debauched Oxford swells, The Riot Club is remarkably lacking in wit.and debauchery, for that matter.

Name : Stephen Holden / Alias : New York Times
I was drained and quivering with fury and disgust.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
Although the performances are uniformly on point and the dialogue is tartly British, the film ultimately fails to earn its riotous stripes.

Name : Kyle Smith / Alias : New York Post
Scherfig, who showed such subtlety in "An Education," this time proves embarrassingly vulgar, giving the film the unfortunate aura of an angry leaflet being handed out on a street corner by a wild-eyed protester.

Name : Cath Clarke / Alias : Time Out
A darkly funny, colossally unflattering send-up of The Bullingdon Club.

Name : Inkoo Kang / Alias : Village Voice
Scherfig's stagings of these suspenseful set pieces are masterful, but the rest of the thriller is a fairly predictable manifesto against Britain's de facto oligarchy.

Name : Graham Fuller / Alias : New York Daily News
[An] engaging but malignant look at male privilege run amok.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
Although the performances are uniformly on point and the dialogue is tartly British, the film ultimately fails to earn its riotous stripes.

Name : Chris Nashawaty / Alias : Entertainment Weekly
For a movie about a bunch of debauched Oxford swells, The Riot Club is remarkably lacking in wit.and debauchery, for that matter.

Name : Tomas Hachard / Alias : NPR
It's all quite superficial, but never less than gripping, and is aided by an ending that at least doesn't compromise too much-the movie finishes with a smirk more than a smile.

Name : David Rooney / Alias : Hollywood Reporter
While the dark drama is never dull, its portrait of upper-crust entitlement run amok is seldom surprising either.

Name : Peter Debruge / Alias : Variety
Brits might object to such an enraging portrayal, which veers between salacious and cynical, though Scherfig's unique perspective is just one more reason she was such a smart choice to handle this material.

Name : Peter Howell / Alias : Toronto Star
The Riot Club comes with the dubious ambition of instructing us as to the evil ways of spoiled British toffs, as if that were needed.

Name : Mike D'Angelo / Alias : AV Club
An alleged cautionary tale that revels in bad behavior for nearly two hours before finally offering up a stern "tsk, tsk, tsk."

Name : Stephen Holden / Alias : New York Times
I was drained and quivering with fury and disgust.

Name : Joe Morgenstern / Alias : Wall Street Journal
A small film that packs a horribly big punch.

Name : Moira MacDonald / Alias : Seattle Times
Shot in chilly shades of blue, "The Babadook" will haunt anyone who's ever heard a cry in the night - or wondered what was under the bed, in the dark.

Name : Scott Foundas / Alias : Variety
Manages to deliver real, seat-grabbing jolts while also touching on more serious themes of loss, grief and other demons that can not be so easily vanquished.

Name : Chris Nashawaty / Alias : Entertainment Weekly
In an age when horror movies have mostly become lazy and toothless, here's one with ambition and bite.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Director Kent has made the kind of striking film that is going to have mainstream Hollywood haunting her like a Babadook in a bad mood. For the sake of her idiosyncratic vision, let's hope she doesn't frighten easily.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Although the supernatural seems the likeliest answer, it's not the only one, and audiences can read the film either way.

Name : Jordan Hoffman / Alias : New York Daily News
One of the smartest and most effective horror films in years.

Name : Bill Goodykoontz / Alias : Arizona Republic
This is a really scary movie.

Name : A.O. Scott / Alias : New York Times
You will be scared. And also, perhaps even more scarily, moved.

Name : Colin Covert / Alias : Minneapolis Star Tribune
"The Babadook" is urgent, uncanny and entirely disturbing, a dream within a dream within a nightmare. It is the best English language supernatural film of this new century.

Name : Michael Phillips / Alias : Chicago Tribune
Kent has taste, an eye and a knack for brisk, accelerated pacing. In the case of "The Babadook," familiarity breeds an eerily gratifying contentment.

Name : William Goss / Alias : Film.com
An impressively chilling exercise in old-school restraint.

Name : Ella Taylor / Alias : NPR
The Babadook makes the most of its special effects as needed, but this smart little frightener keeps its head close to the rising anxiety of a young widow whose husband died a violent death.

Name : Michael O'Sullivan / Alias : Washington Post
With its mixture of frights both literal and literary, "The Babadook" will, I suspect, satisfy horror's devotees as much as the genre's doubters.

Name : David Rooney / Alias : Hollywood Reporter
This is a different kind of nail-biter that has less to do with demonic possession than with the renegade power of an untamed imagination.

Name : Joshua Rothkopf / Alias : Time Out New York
Who thinks up a film like The Babadook? Actress-turned-debuting-feature-director Jennifer Kent has the narrative chutzpah to show her entire hand in the pop-up story and then make us squirm as foretold events come true.

Name : A.A. Dowd / Alias : AV Club
What really distinguishes The Babadook, however, is the metaphorical potency of its narrative.

Name : Inkoo Kang / Alias : TheWrap
"An exceptionally rich psychological portrait of a woman, it's an enormously compassionate and sadly relevant film about misplaced blame and the often impossible demands of motherhood."

Name : Peter Travers / Alias : Rolling Stone
This psychological thriller from gifted first-time filmmaker Jennifer Kent will have you climbing the walls simply by plumbing the violence of the mind. Brace yourself.

Name : Steven Rea / Alias : Philadelphia Inquirer
No matter how successful The Babadook turns out to be - and Jennifer Kent's horror story deserves all the success it gets - the prospects of a best-selling kid-lit tie-in don't look good.

Name : Betsy Sharkey / Alias : Los Angeles Times
"The Babadook" is a smart, darkly drawn modern-day horror movie of monsters, memories and mothers.

Name : Alan Scherstuhl / Alias : Village Voice
It's the most horror I've felt at a horror film since Neil Marshall's The Descent, one where the scares don't release the tension - they harrow.

Name : David Edelstein / Alias : New York Magazine/Vulture
In the running with Boyhood as my favorite movie of 2014 is another work that turns on the challenges of parenting. This one is a tad more insane.

Name : Anthony Lane / Alias : New Yorker
Let a law be passed, requiring all horror films to be made by female directors.

Name : Adam Graham / Alias : Detroit News
Credit writer-director Jennifer Kent for lending her Australian indie a healthy dose of brains and subtlety, giving it a distinct advantage over most modern horror films.

Name : Rafer Guzman / Alias : Newsday
Jennifer Kent's startling debut is an artful horror-chiller that gets under your skin and into your psyche.

Name : Ty Burr / Alias : Boston Globe
A potent journey through the fears, anxieties, and repressed rages of motherhood.

Name : Richard Roeper / Alias : Chicago Sun-Times
As someone who has developed a pretty thick Critic's Shield from years of watching standard haunted house/possessed human/mythological-creature fare, I have to say I was genuinely freaked out by some of the passages in The Badabook.

Name : Sara Stewart / Alias : New York Post
I like to imagine watching this chilling Australian horror film with late, great authors Shel Silverstein, Roald Dahl and Edward Gorey - all of whom would have relished its twisted children's storybook at the center of things.

Name : Drew Hunt / Alias : Chicago Reader
The Babadook makes a convincing argument for classy, psychological horror cinema even as it fails to meet its own lofty standard.

Name : Dana Stevens / Alias : Slate
The Babadook makes everyday domestic life seem like the most natural possible place to encounter monsters of every description, including the monsters that we ourselves have the capacity to become.

Name : Wesley Morris / Alias : Grantland
Sometimes you go to a movie and know from the first image that whoever made it knows what she's doing. You don't need convincing. You're there with her. Jennifer Kent's The Babadook is like that.

Name : Rene Rodriguez / Alias : Miami Herald
This is a dark and shivery story about motherhood, a common subject for horror movies, but one that's rarely treated with such intelligence or seriousness of intent.